In 2015, an abandoned back alley at the former Carlton and United Breweries site in Chippendale, Sydney was transformed into a cultural hub.
Connected via an innovative brick-paved ground plane, the street’s heritage terraces and industrial warehouses were reimagined by the heavy-eight design team into vibrant galleries and event spaces, creative businesses, restaurants, and bars.
A leading example of urban renewal, the series of new walkways and pedestrian links stitch Kensington Street back into the fabric of Chippendale and the Central Park precinct, while the pedestrianising and adaptive reuse of buildings and kerbs has successfully reactivated a once-neglected street.
Kensington Street’s transition from slum to sought-after destination illustrates the power of placemaking, and the impact quality public spaces have on building communities and revitalising cities.
Kensington Street forms part of Tooth and Co brewery’s original 6.5 ha ‘mini city’ established in 1835, which included hotels, warehousing, administration, and workers’ housing.
Located in Sydney’s inner-city Chippendale, Kensington Street forms part of the wider $2b, 5.8 hectares Central Park urban village.
Over the past decade, the Turf Design Studio and Jeppe Aagaard Andersen (TDS+JAAA) partnership have designed more than 22,663 square metres of public open spaces for the Central Park precinct across twelve major public domain and building projects, including the revitalised Kensington Street.
Capitalising on Chippendale’s rapid gentrification and blossoming creative scene, the developers Greencliff and Frasers Property, identified a gap in the market.
Kensington Street offered great potential to resurrect its heritage buildings and redevelop the street for contemporary food, lifestyle, artistic, and commercial purposes.
Part of an underutilised and rundown industrial area, Kensington Street’s prized inner-city location and mix of heritage workers’ cottages, terraces and warehouses, had obvious potential.
As landscape architects and urbanists, the TDS+JAAA design team’s challenge was to reimagine the street, balancing old with new, while activating the streetscape to capitalise on the area’s changing demographic.
Together with architects Tonkin Zulaikha Greer and heritage architect Paul Davies, TDS+JAAA forged a cohesive design vision across the site, carefully blending the language of the public realm with the heritage of the built form.
Along with restoring the street’s heritage fabric and balancing new and old, placemaking and creating a shared public zone were key challenges of the project.
Placemaking: As key contributors to the making of cities, understanding the varying and eclectic requirements of Kensington Street was a major challenge for the TDS+JAAA design team.
Blending urban design, environment, community and infrastructure was essential to successfully connect people with place.
In Kensington Street, the challenge was to make a robust and authentic street for living, where the hand of the designer remains largely unseen.
Creating a shared zone: While the original master plan designated Kensington Street for pedestrians, the TDS+JAAA design team developed a shared street approach, integrating cars within a pedestrian-focused environment to retain the authentic working street aesthetic. The design deliberately compresses the carriageway, creating a ‘friction’ that is vital for a successful shared-street environment.
The street presents motorists with a succession of subtle physical and visual restraints designed to encourage slow driving and constrain parking, including a central granite dish drain (instead of kerb drainage), a loose avenue of trees with tall tree guards, and steel bollards. The patterns of the paving are also designed to keep drivers and pedestrians alert, bleeding in and around the courtyards of cafes and restaurants on the strip.
Innovation: Along with the creation of bespoke bricks, the successful pedestrianising of the street and wayfinding, the innovative paving plan is a key element of the design and vital in unifying the heritage buildings with the new contemporary architecture.
Using a singular material created a simple but striking floor for the entire project.
Clay pavers were selected to connect and strengthen the heritage qualities of the street.
The urban floor needed to be robust, yet fine-grained like its surrounding built form of resurrected workers’ cottages, terraces and warehouses.
Brick was used throughout the project, from the street to the market, to the micro lane connections between terraces, and even into the lobby of The Old Clare Hotel.
A herringbone pattern at 45 degrees and single colour unify and link the street’s many, and sometimes disparate elements while respecting its heritage.
The overall effect of the paving is designed to be informal and unassuming; a floor of bricks, a line of lights, and two lines of trees, intermittently placed to respond to the circumstances of the street.
Instead of opting for regular raised kerbs, the original trachyte kerbing has been reinstated, sitting flush alongside the brick paving, creating a historical line and making the street feel like a singular, unified space.
Project Awards
- Award of Excellence, Cultural and Urban Landscape, International Federation of Landscape Architects, IFLA Asia-Pacific 2017
- Bronze Prize, Landscape Architecture ‘Small and Large Scale Landscape Projects’ Category, American Architecture Prize 2016
- Bronze Prize, Landscape Architecture ‘Commercial’ Category, American Architecture Prize 2016
- Bruce Mackenzie Landscape Award 2016
- Civic Landscape Architecture Award, Australian Institute of Landscape Architects (NSW) 2016
- Best Overall and Urban Design and Public Spaces in Architectural Design, Good Design Awards 2016
Project Details
Site Area – 1,300 m2
Completion Date – 2015
Project Details
Landscape Architects
Turf Design Studio
Turf Design Studio offers a rare depth in thinking for major developments and the public domain; weaving together planning, design and ecology into a vibrant tapestry – creating places that are functional, fit for living, and where the hand of the designer remains largely unseen.
Jeppe Aagaard Andersen (1952-2018)
Jeppe Aagaard Andersen was a Danish landscape architect and Professor of Landscape Architecture at the Institute of Urbanism and Landscape at the Oslo School of Architecture and Design.
Jeppe Aagaard Andersen’s work represents a golden age in Danish landscape architecture. Kronborg Castle in Helsingør and the Waterfront in Malmö are among some of his most important works. His designs made a significant contribution to the history of landscape architecture as well as people’s everyday lives.
Collaborating Architects
Tonkin Zulaikha Greer
Tonkin Zulaikha Greer has a special interest in public spaces, public buildings, and “edge” architecture, often providing buildings with roles and uses outside their traditional functions.
Collaborating Heritage Architects
Paul Davies & Associates
Architects and heritage consultants, based out of Sydney and Hobart, Australia.
www.heritage-architects.com.au
Photography
Simon Wood
Simon is a Sydney-based professional photographer. His extensive portfolio includes a wide range of projects specializing in architecture, landscape architecture, and design.
Photo Gallery
Click on a thumbnail image to enlarge.
Design © 2022 TDS+JAAA. All Rights Reserved.| Images © 2022 Simon Wood. All Rights Reserved.
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